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Amotherby

 

This parish has two churches, St Helen's Amotherby and All Saints Appleton- le - Street. 

St Helen's Amotherby

The church is dedicated to St Helen and there is no doubt that this was the dedication from very early times. Wills dating from the 14th century refer to the “Chapel of the Blessed Helen of Amotherby.” Helen was the wife of the Roman Emperor Constantius Chlorus and their son became Emperor Constantine in 306 A.D. Helen made a pilgrimage to the Holy Land in search of relics; she believed she had found the cross on which Christ was crucified.

St Helen’s has always been a dependent chapel of All Saints, Appleton-le-Street and therefore it is infrequently mentioned in historical records. The first written reference to the church at Amotherby occurs in 1218 in a charter of Pope Honorius III to St. Albans Abbey; the Pope grants the churches of Appleton and Amotherby to the Abbey.

In the porch of St. Helen’s are several Anglo-Viking cross-heads found in the vicinity of the church dating from the ninth to eleventh centuries and pointing to the antiquity of the site.

It is unfortunate that little remains of the earliest building; the present form of the church dates from 1871 when the nave was completely rebuilt and the north aisle added. (Of all the churches along The Street only Appleton escaped the reforming zeal of the Victorians.)

From writings prior to the rebuilding it seems that the church of St. Helen was a very mean establishment in a poor state of repair. At the rebuilding the original font, probably Norman, was removed and now stands outside, adjacent to the porch.  

THE TOWER:

This is the oldest part of the present structure, along with the south door. The tower was rebuilt about 1500 using masonry from earlier centuries. It has neither buttress nor string course and the windows are square headed and mullioned.

The west door into the tower has a Norman arch with some later Early English decoration. In Norman times the nave could be entered through the tower, but this door was blocked up during the 19th century reconstruction. The fine Norman arch can be seen from inside the tower.

The tower holds two bells, both mediaeval; one is inscribed I.H.S. and the other, CAMPANA BEATE HELENE (The bell of Blessed Helen.)

THE SOUTH DOOR

Is probably the oldest part of the building and is a noteworthy example of late Norman architecture.

THE NAVE:

The nave and chancel were rebuilt in 1871 in an effort to improve upon the original Norman style - witness the frequent use of dog-tooth ornamentation on the round headed arches.

During the reconstruction several ancient burials were discovered under the church. The most interesting, as reported by the local newspaper, was one of a young woman, lying under a heavy stone slab carved with a human face. (This can be seen in the porch.) “At the head of this grave, and apparently on the same level… was a stone pavement, the stones of which were covered with between two and three inches of burnt matter, with a large quantity of charcoal all around... Among the burnt matter was an iron blade greatly corroded, as if the end of a dirk, the point being gone – in fact such a weapon as would be expected to accompany an Anglo-Saxon burial.”  

The pew-ends, pulpit and font were designed and carved by the Revd. C. P. Peach, vicar from 1834-1886

THE CHANCEL AND SANCTUARY

On the south side of the sanctuary is an effigy of a knight in armour, not in its original position, the figure was discovered under pews and moved here in 1871. The arms on the shield are those of the Bordesden family who lived in the parish at Newsham in the 14th century The effigy is of Sir John de Bordesden; a turbulent character who was ex-communicated briefly in 1303 and died in 1329. Sir John was involved in lengthy dispute with the Prior of Old Malton over grazing rights between 1307 and 1310 and his men were repeatedly skirmishing with those of the Prior. His effigy, dating from approximately 1330, is quite unique in as much as it is one of only seven known showing a knight wearing surcoat with sleeves, most are without sleeves.

The tomb on the north side of the sanctuary was found in the churchyard near the tower in 1871-  It bears an inscription in Norman French, the language of the upper classes in England until about 1400: ICI GIT WILLEM DE BORDESDEN PRIZ PUR LA ALME, (Here lies William de Bordesden, pray for his soul.) He was either the brother or nephew of Sir John, and died about 1340. The grave cover displays a fine foliated cross.

The lancets of the east window contain glass designed by the afore-mentioned Revd. C.P. Peach. The altar was presented in memory of the Revd. Canon Harry Ward, vicar from 1893 — 1934.  

Experimental reordering of the chancel has taken place in autumn 2005 with the removal of the disused choir pews, the leveling of the resulting area and the transfer of the Lady Chapel altar to serve as a nave altar, bringing priest and people much closer together in the celebration of the Eucharist. These changes will be evaluated and adjusted as necessary over the coming months before applying for a Faculty to make the changes permanent.

 

All Saints Appleton le Street

 

The church of Appleton-le-Street is of very old foundation. It may be that it stands on the site of a pagan temple, certainly it would appear that the site has been used for burials since Roman times.

The earliest written reference to a church at Appleton exists in a charter of King Henry II (1154-1189). It is curiously omitted from the Domesday Book, yet it is beyond dispute that there was a church at that time. The charter confirms that the church was under the guardianship of the Abbey of St. Albans, but quite how this state of affairs came about is unclear.

In 1215 the register of Archbishop Walter Grey of York begins and from then on there is a more or less continuous historical record. The first reference in the register to Appleton is on 20th September 1232 when a Mr. Stephen de (Eglefeld?) was instituted as first rector. From these earliest records it is evident that Appleton was a Mother church, with the church at Amotherby being a dependent chapel.

THE TOWER

It is the tower which is the oldest part of the church. Built in late Saxon times, it is a particularly good example of the period; indeed it is said that it is one of the finest Anglo-Saxon towers in the north of England .

The tower is built in three stages; the lower two built at the end of the Saxon period (1000-1050. The top stage may date from after the Norman conquest (1066. The porch is a 16th century addition. Above the porch is a niche with a statue of virgin and child, which was defaced at the time of the Reformation.

     

Originally the entrance was by means of a door in the west wall of the tower, but this was replaced with a round-headed Norman window and a new door was made in the 12th century again with the rounded arch.

The tower holds two bells: one inscribed ‘God save His church 1665’ and the other ‘Gloria in altissimis Deo 1705’ (Glory to God in the highest).

The simple tub-font is Norman and is probably not in its original position.

High on the wall is a plaque known as a “bread board” whereby on death, a wealthy member of the parish bequeathed monies for the maintenance of the poor. In this case William Stockdale left £70.

THE NAVE

The original nave and chancel were much smaller than the existing ones. It is suggested that the present walls of the nave, excluding the north and south arcades mark the walls of the Saxon nave.

The nave was enlarged about 1175-1200 with the building of the NORTH AISLE but it seems never to have been structurally sound and was propped with substantial buttress in the middle ages.

Notice the contrast between the fine pointed arches of the arcade in the Early English style and the earlier Norman round arch dividing the tower from the nave.

It is known that an altar stood at the east end of this north aisle in mediaeval times. The present Lady Chapel and altar were dedicated by the Bishop of Selby on 12th October 1973.

SOUTH AISLE

Added around 1300 A.D. A chantry was founded by a certain Sir Thomas de Boulton in 1346, here a chaplain would pray for the souls of Sir Thomas and his family forever. It seems almost certain that this chantry of the Holy Trinity was in the south aisle, the altar standing before the east window. The niche in the south wall, known as a piscina adds weight to this argument.

In the apex of the east window is the church’s only remaining fragment of mediaeval glass: a shield showing the arms of the Greystock family, barons of Henderskelfe, (Castle Howard) in the 13th and 14th centuries.

The pulpit was a gift from the parish of Richmond in 1950.

CHANCEL AND SANCTUARY

That the chancel was once much longer is clearly evidenced; in fact it was shortened during the 15th century, the reason probably being that it was slipping down the bank at the east end.

The doorway in the north wall leads straight to the outside, although a corbel projecting from the external wall tends to suggest that there may have been another room, perhaps a vestry, to which this door led.

The altar rails and table date back to the 17th century. A commission examined Appleton church in 1636 and ordered that a new communion table be provided and that it be railed off. Thus, they can be dated exactly to 1636-1637. In 1901 the east window was filled with glass in memory of the Fairbank family, lords of the manor of Appleton from the mid 19th century.

The effigies in the sanctuary are of two ladies of the Boulton family, lords of Appleton in the 14th century. The effigy on the north has two shields upon the robe depicting the Boulton arms. The figure probably dates from 1250-1300 and may represent Alienore de Boulton, the grandmother of Sir Thomas de Boulton, who founded the chantry in 1346. The second effigy, on the south side, probably dates from 1300-1350, and may be Sir Thomas’ mother Hawise de Boulton, or alternatively, one of his two wives Clementia de Boulton (nee Constable) and Alice de Boulton.

Further information on the ancient fonts

Amotherby

Object: Baptismal font (stone [type unknown]-- cylindrical -- un-mounted)

Location: Parish Church of St. Helen, Amotherby, North Yorkshire

(England) -- (in the churchyard)

Date: 11th-12th century(?)

Period/Style: Anglo-Saxon? / Norman?

Notes on font: Listed in Cox & Harvey (1907) as a baptismal font of the Norman period, although this same source suggests that the font "may be Saxon".

Morris (1931) notes: "Outside porch,W. rude [i.e., crude], circular, 12th- cent. font." Bulmer's Directory for this county (1890) informs that "the old Norman font has been relegated to the churchyard", the present "font (Hildenley stone) is supported by a thick central shaft, surrounded by eight smaller ones of marble" and was "designed and carved by the late Rev. C.P.Peach" ca. 1870 [source: Transcription by Colin Hinson copyright 1999, in www.genuki.org.uk]. The basin well has a central drain; the upper rim has holes corresponding to the hardware of an old font cover. 

Cover: none

Appleton-le-Street

Object: Baptismal font (stone [type unknown]-- cylindrical -- un-mounted)

Location: Parish Church of All Saints, Appleton-le-Street, North Yorkshire

(England)

Date: 11th-12th century(?)

Period/Style: Anglo-Saxon? / Norman?

Notes on font: Described in Cox & Harvey (1907) as a 'rude' [i.e., crude] unmounted cylindrical baptismal font, probably of the early Norman period, but possibly Saxon. Morris (1931) notes: "Rude, circular, perhaps late 12th-cent. font, similar to, but taller than, that at Amotherby." 

Cover: yes - conical, with finial

The above information regarding the fonts is reproduced, with permission, from BAPTISTERIA SACRA INDEX www.library.utoronto.ca/bsi

 

 

 

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Last modified: May 21, 2008